Caricature Drawings

I'm currently in the process of starting up a little side business for my caricature work. This short video describes how this all got started for me and where I'm headed with it via fivver gigs on fivver.com Since I'm still new to Fivver I'm currently only able to list small gigs for $5 but once I've done a few gigs and get good feedback i'll be able to offer more options for higher prices. i briefly touch on that at the end of the video but would like to show in more depth where I'm headed for anyone interested in getting a fuller version caricature done now. Feel free to contact me at matthew.gauvin@gmail.com with questions or to commission me for a caricature or other illustration project.

Charicature Portraits

As I mentioned in my previous post, I've recently taken on a variety of portrait work. The previous one was a HUGe  four foot by three foot imaginative family portrait done in oils with tons of details and more realistic features than caricature but by no means photo realistic. The One I want to show today leans much more in the direction of caricature but certainly not fully as I didn't go out of my way to exaggerate features other than the size of the head and some minor facial expressions and hair shape.

I took some video of me painting this image while discussing things as I go along. Unfortunately I probably won't have time to edit and post that until the new year. I began the image with drawings of the heads which I got approved by the client, then drew the bodies on separate paper and combined the two in photoshop playing with head size. then went into color samples and in particular for this image focused on how I was intending to paint the snow. 

 The drawing taped to a movable board that can be lifted and rotated if needed. The tape keeps the paper from buckling while also leaving us a clean white edge at the end. For this image I traced the final drawing to the watercolor paper with a light table but often I find that you can print the final onto final paper in a fraction of the time. The trouble of course is you have to use a thinner paper than may be desirable and even then will often have a hard time with the printer not being able to feed the paper correctly. For the printer method I find the heaviest paper that works is 140 lb and you have to make sure you have the grain of the paper feeding through the printer horizontally so that you can gently roll the paper prior to printing.

 Before painting the sky I masked out the foreground elements with winsor newton masking and used a supernib masking fluid for tiny details. Then I mixed a decent size batch of the sky color, pre-wet the paper with clean water using a spray bottle and  a large brush to go fast. I let the water dry for a bit then went in with a second coat just before applying large, fast,,horizontal strokes of paint which are more saturated at the top and less towards the horizon. For these large flakes I needed to work fast and get the salt into the paint before it dried to much. gently sprinkling salt onto the wet paint creates this great texture that looks unbelievably like falling snow flakes. For smaller flakes wait a bit more time before using the salt.

 Then let the sky dry. You can use a hairdryer to speed this up. Then peel off the masking fluid and apply some loose color ot the foreground. For a little texture int eh foreground snow I sprinkled some drops of water before the paint dries. Before peeling the masking off I generally use a wet brush and paper towel to get rid of any excess paint so that won't be smudged onto the clean white paper underneath.

 I build the faces up slowly with layers of paint. The precise method for this will depend on if you want hard edges shading on the face or softer. For hard edge, let each layers dry before applying another, for soft edge you'll need all your paint colors premixed so you can quickly lay one color into another int eh limited window you have. This takes much more practice to learnt eh exact time to lay int eh secondary and additional shading.

 generally for faces in watercolor I lay in all of the skin tones first and then hair building up in layers before finishing with the eyes, mouth, lips and such. This keeps darker paint from leaking into the skin tones.

 Unfortunately I was feeling the crunch of time so had to stop taking photo reference at this point. basically I continued to lay int eh facial features and hair in layers then painted the clothing and skis. Then for finishing touches Pulled out a bit of color around the skies to indicate misty snow, then used some gauche splattered on the paint legs to indicate small snow. Lastly I used  slightly wet brush to pull some of the colors off the figures behind them to indicate movement.The final scan is at the top of this post.

Dog Portrait, Characature, Landscapes etc.

These past few months have taken my art in unexpected directions as I venture into areas I hadn't given much consideration to previously.  I'm currently working on a new family portrait image which I don't yet have samples of. It's another one of my "imaginative Portraits" that I began doing a few years back. The difference with this one being that it focuses more heavily on the portrait aspect than the previous two images did.

    I also recently agreed to do a straight forward family portrait for a friend of my fiance. This came about as a result of him having seen the wedding invitations I illustrated for my upcoming wedding. I don't think I've ever done caricatures before either but for some reason this seemed like the natural thing to do for my wedding invitations. Not sure how that happened but they were tons of fun to illustrate and everyone is saying they love them!

I have also been putting a lot of work into making a portfolio of landscape paintings for the East Burke Fall Foliage Festival coming up on Sept. 29th in East Burke, VT. I've done landscapes in the past but never to the extent that I'm currently doing. I'm hoping to write a blog post this week displaying many of the images I painted for that. I'll have postcards and prints as well as the original art for sale.

Just today I finished painting a quick pet portrait I did as a reward for a kickstarter campaign for one of my books.

I've also been talking with a friend about doing a hand painted sign for his business. You might think that all of this is a result of not being able to find my typical children's book work. Actually I haven't really had an issue with that yet. I think it has more to do with just needing a bit of a break from those longer projects. All of these other avenues have been making me ask the question though. Should I in fact offer some of these other forms of art as a service? or should I stay focused in one area of art and try to perfect my skills therein? I don't know if it would make sense for me to have a children's book project going in one corner, pet portraits in one, landscapes in another and hand painted signs in yet another. In fact I know that would be a disaster and not good for my sanity as I currently have the messiest studio of all time and have nine folders for different clients on my desktop. I welcome any advice or comments from other artists who may have experience with these sorts of things in their own practice. I do have a feeling I'll keep doing some of these random projects on the side but will probably keep with the children's art as my main thing.